• Installations
→ Walls Of Making Remains, 2017

Walls Of Making Remains, 2017, ink on paper
Walls Of Making Remains, 2017, ink on paper
Walls Of Making Remains, 2017, ink on paper
Walls Of Making Remains, 2017, ink on paper
Walls Of Making Remains, 2017, ink on paper
Walls Of Making Remains, 2017, ink on paper
Walls Of Making Remains, 2017, ink on paper
Walls Of Making Remains, 2017, ink on paper
Walls Of Making Remains, 2017, ink on paper
Walls Of Making Remains, 2017, ink on paper
Walls Of Making Remains, 2017, ink on paper
Walls Of Making Remains, 2017, ink on paper
Walls Of Making Remains, 2017, ink on paper
Walls Of Making Remains, 2017, ink on paper

Walls Of Making Remains, 2017

installation of 8 cut paintings; oil, ink, pencil on paper, hand cut, installed on aluminum and drywall; painting size 42×42/52 inch, 100×100/132 cm, installation size 16×16 feet, 4,8×3,6 meter, outside in; at Art and Culture Center Hollywood, FL

“For several weeks, I worked in an 8×8×8-foot box and painted on sheets of paper stapled to drywall panels. my activities in relation to the box’ space were recorded on paper and drywall. After a few layers of drawing and painting, I reconfigured the paper in a different layout on the walls. The original painted compositions and visual logic were destroyed. I continued to paint in negotiation between, again, acting in the space, but now as well, relating to the remains of a distorted painted composition. I repeated the same process of painting and relocation multiple times. To conclude the layering and painting, I cut out, by hand, certain areas following a specific system (cut all dark blue tones). I continued to paint the drywall and added cutouts as well. These transmit the inner painting to the outside surface as initiations for a second painting on the other side of the now double-sided, free-standing painting.” HH, 2017